Showing posts with label human story. Show all posts
Showing posts with label human story. Show all posts

Monday, May 30, 2011

A MOMENT OF SILENCE, BEFORE I START THIS POEM

I Know it takes time to read the written word but I think this one deserves to be read.


Before I start this poem,
I’d like to ask you to join me
In a moment of silence
In honor of those who died in the World Trade Center and the Pentagon last September 11th.
I would also like to ask you
To offer up a moment of silence
For all of those who have been harassed, imprisoned,
disappeared, tortured, raped, or killed in retaliation for those strikes
For the victims in both Afghanistan and the U.S.
And if I could just add one more thing…
A full day of silence
For the tens of thousands of Palestinians who have died at the hands of U.S.-backed Israeli forces over decades of occupation.
Six months of silence for the million-and-a-half Iraqi people, mostly children, who have died of malnourishment or starvation as a result of an 11-year U.S. embargo against the country.
Before I begin this poem,
Two months of silence for the Blacks under Apartheid in South Africa,
Where homeland security made them aliens in their own country.
Nine months of silence for the dead in Hiroshima and Nagasaki,
Where death rained down and peeled back every layer of
concrete, steel, earth and skin
And the survivors went on as if alive.
A year of silence for the millions of dead in Vietnam – a people, not a war – for those who know a thing or two about the scent of burning fuel, their relatives’ bones buried in it, their babies born of it.
A year of silence for the dead in Cambodia and Laos, victims of a secret war … ssssshhhhhhh…
Say nothing
we don’t want them to learn that they are dead.
Two months of silence for the decades of dead in Colombia,
Whose names, like the corpses they once represented,
have piled up and slipped off our tongues.
Before I begin this poem.
An hour of silence for El Salvador …
An afternoon of silence for Nicaragua …
Two days of silence for the Guatemaltecos …
None of whom ever knew a moment of peace in their living years.
45 seconds of silence for the 45 dead at Acteal, Chiapas
25 years of silence for the hundred million Africans who found their graves far deeper in the ocean than any building could poke into the sky.
There will be no DNA testing or dental records to identify their remains.
And for those who were strung and swung from the heights of sycamore trees in the south, the north, the east, and the west…
100 years of silence…
For the hundreds of millions of Indigenous peoples from this half of right here,
Whose land and lives were stolen,
In postcard-perfect plots like Pine Ridge, Wounded Knee, Sand Creek, Fallen Timbers, or the Trail of Tears.
Names now reduced to innocuous magnetic poetry on the refrigerator of our consciousness …
So you want a moment of silence?
And we are all left speechless
Our tongues snatched from our mouths
Our eyes stapled shut
A moment of silence
And the poets have all been laid to rest
The drums disintegrating into dust.
Before I begin this poem,
You want a moment of silence
You mourn now as if the world will never be the same
And the rest of us hope to hell it won’t be.
Not like it always has been.
Because this is not a 9/11 poem.
This is a 9/10 poem,
It is a 9/9 poem,
A 9/8 poem,
A 9/7 poem
This is a 1492 poem.
This is a poem about what causes poems like this to be written.
And if this is a 9/11 poem, then:
This is a September 11th poem for Chile, 1971.
This is a September 12th poem for Steven Biko in South Africa, 1977.
This is a September 13th poem for the brothers at Attica Prison, New York, 1971.
This is a September 14th poem for Somalia, 1992.
This is a poem for every date that falls to the ground in ashes
This is a poem for the 110 stories that were never told
The 110 stories that history chose not to write in textbooks
The 110 stories that CNN, BBC, The New York Times, and Newsweek ignored.
This is a poem for interrupting this program.
And still you want a moment of silence for your dead?
We could give you lifetimes of empty:
The unmarked graves
The lost languages
The uprooted trees and histories
The dead stares on the faces of nameless children
Before I start this poem we could be silent forever
Or just long enough to hunger,
For the dust to bury us
And you would still ask us
For more of our silence.
If you want a moment of silence
Then stop the oil pumps
Turn off the engines and the televisions
Sink the cruise ships
Crash the stock markets
Unplug the marquee lights,
Delete the instant messages,
Derail the trains, the light rail transit.
If you want a moment of silence, put a brick through the window of Taco Bell,
And pay the workers for wages lost.
Tear down the liquor stores,
The townhouses, the White Houses, the jailhouses, the
Penthouses and the Playboys.
If you want a moment of silence,
Then take it
On Super Bowl Sunday,
The Fourth of July
During Dayton’s 13 hour sale
Or the next time your white guilt fills the room where my beautiful people have gathered.
You want a moment of silence
Then take it NOW,
Before this poem begins.
Here, in the echo of my voice,
In the pause between goosesteps of the second hand,
In the space between bodies in embrace,
Here is your silence,
Take it.
But take it all…
Don’t cut in line.
Let your silence begin at the beginning of crime.
But we,
Tonight we will keep right on singing
For our dead.

P.S. NO! you were not tired of it because the Poem was too long or repetitive but because it made you too uncomfortable. Think about it!


Emmanuel Ortiz is a third-generation Chicano/Puerto Rican/Irish-American community organizer and spoken word poet residing in Minneapolis, MN. He currently serves on the board of directors for the Minnesota Spoken Word Association, and is the coordinator of Guerrilla Wordfare, a Twin Cities-based grassroots project bringing together artists of color to address socio-political issues and raise funds for progressive organizing in communities of color through art as a tool of social change.

Tuesday, July 13, 2010

Tell me who you love and I will tell you who you are !

In between all the nude or semi nude pictures and hot mms links that I post I do like to post these heart warming stories once in a while, because, believe me or not someday, if you live long enough, your horniness will dwindle and fade away and you will truly search for the meaning of your existence and true happiness. These random stories might help a bit in your search.

John stood up from the bench, straightened his Army uniform, and studied the crowd of people making their way through Grand Central Station. He looked for the girl whose heart he knew, but whose face he didn't, the girl with the rose.

His interest in her had begun thirteen months before in a Florida library. Taking a book off the shelf he found himself intrigued, not with the words of the book, but with the notes penciled in the margin. The soft handwriting reflected a thoughtful soul and insightful mind. In the front of the book, he discovered the previous owner's name, Miss Judith May.

With time and effort he located her address. She lived in New York City. He wrote her a letter introducing himself and inviting her to correspond. The next day he was shipped overseas for service in World War II. During the next year and one month the two grew to know each other through the mail.

Each letter was a seed falling on a fertile heart. A romance was budding. John requested a photograph, but she refused. She felt that if he really cared, it wouldn't matter what she looked like. When the day finally came for him to return from Europe, they scheduled their first meeting - 7:00 PM at the Grand Central Station in New York.

"You'll recognize me," she wrote, "by the red rose I'll be wearing on my lapel." So at 7:00 he was in the station looking for a girl whose heart he loved, but whose face he'd never seen. I'll let John tell you what happened next:

A young woman was coming toward me, her figure long and slim. Her blond hair lay back in curls from her delicate ears; her eyes were blue as flowers. Her lips and chin had a gentle firmness, and in her pale green suit she was like springtime come alive.

I started toward her, entirely forgetting to notice that she was not wearing a rose. As I moved, a small, provocative smile curved her lips. "Going my way, sailor?" she murmured. Almost uncontrollably I made one step closer to her, and then I saw Judith May.

She was standing almost directly behind the girl. A woman well past 40, she had graying hair tucked under a worn hat. She was more than plump, her thick-ankled feet thrust into low-heeled shoes.

The girl in the green suit was walking quickly away. I felt as though I was split in two, so keen was my desire to follow her, and yet so deep was my longing for the woman whose spirit had truly companioned me and upheld my own.

And there she stood. Her pale, plump face was gentle and sensible, her gray eyes had a warm and kindly twinkle. I did not hesitate. My fingers gripped the small worn blue leather copy of the book that was to identify me to her. This would not be love, but it would be something precious, something perhaps even better than love, a friendship for which I had been and must ever be grateful.

I squared my shoulders and saluted and held out the book to the woman, even though while I spoke I felt choked by the bitterness of my disappointment. "I'm Lieutenant John, and you must be Miss Judith May. I am so glad you could meet me; may I take you to dinner?"

The woman's face broadened into a tolerant smile. "I don't know what this is about, son," she answered, "but the young lady in the green suit who just went by, she begged me to wear this rose on my coat. And she said if you were to ask me out to dinner, I should go and tell you that she is waiting for you in the big restaurant across the street. She said it was some kind of test!" It's not difficult to understand and admire Miss Judith May wisdom. The true nature of a heart is seen in its response to the unattractive.

"Tell me whom you love," Houssaye wrote, "And I will tell you who you are..."

Friday, July 9, 2010

Don't waste your time reading this

In the movie, Scent of a Woman, there's a scene where Al Pacino asks a girl to dance and she replies, "I can't, my boyfriend will be here any minute now". To which Al responds, "A life is lived in an instant". Then they dance to a tango.

Many of us live our lives running behind time, but we only reach it when we die of a heart attack or in a car accident rushing to be on time. Others are so anxious of living the future that they forget to live the present, which is the only time that truly exists. We all have equal time throughout the
world. No one has more or less. The difference lies in what each one of us does with our time.

We need to live each moment. As John Lennon said, "Life is what happens to you while you're busy making other plans".

Congratulations for reading till the end of this message. There are many who would have stopped in the middle so as not to waste time.

Thursday, July 8, 2010

Am I considerate or what!

The first time I was in Sweden, one of my colleagues picked me up at the hotel every morning. It was September, bit cold and snowy. We would arrive early at the company and he would park far away from the entrance (2000 employees drive their car to work).

The first day, I didn't say anything, either the second or third. One morning I asked, "Do you have a fixed parking space? I've noticed we park far from the entrance even when there are no other cars in the lot." To which he replied, "Since we're here early we'll have time to walk, and whoever gets in late will be late and need a place closer to the door. Don't you think?

Well I like my parking place to be the closest to the entrance of the venue be it a wedding or a funeral. (I do forget that on my own funeral the van carrying me will have the privilege of entering the venue itself). If I am late I try to double park and block other vehicles. How dare they encroach on the VIP parking place. In India everyone is a VIP (very immature person). Why should we be blamed we take the lead from the leaders.

Any car with a red beacon on top would drop its occupants right up to the event location, if they could they would drive it up the stage to disgorge the privileged neta or bureaucrat. At diespersal time all the Red beacon-ed cars would back up as close to the VIP exit as they can without tripping the VIP him/herself. (they probably would run over the bride or the groom or both if they could drive up to the lagan mandap. Hello ji congratulations ji on Pappus wedding..where is pappu..under your right rear wheel Neta ji. oh..and the bride ..well she is leaving for the funeral parlor as we speak.

Either Indian bureaucrats/policemen/local netas cant walk or their drivers have bets as to who can get the car closest to their VIP's knee. I think it must be the later cause these guys run well when they are being chased by the Tax men, vigilance bureau or CBI sleuths.




Tuesday, July 6, 2010

Your Choice

Two Choices

What would you do? ...you make the choice. Don't look for a punch line, there isn't one. Read it anyway. My question is: Would you have made the same choice?

At a fund raising dinner for a school that serves children with learning disabilities, the father of one of the students delivered a speech that would never be forgotten by all who attended. After extolling the school and its dedicated staff, he offered a question:

'When not interfered with by outside influences, everything nature does, is done with perfection.

Yet my son, Shay, cannot learn things as other children do. He cannot understand things as other children do.

Where is the natural order of things in my son?'

The audience was stilled by the query.

The father continued. 'I believe that when a child like Shay, who was mentally and physically disabled comes into the world, an opportunity to realize true human nature presents itself, and it comes in the way other people treat that child.'

Then he told the following story:

Shay and I had walked past a park where some boys Shay knew were playing baseball. Shay asked, 'Do you think they'll let me play?' I knew that most of the boys would not want someone like Shay on their team, but as a father I also understood that if my son were allowed to play, it would give him a much-needed sense of belonging and some confidence to be accepted by others in spite of his handicaps.

I approached one of the boys on the field and asked (not expecting much) if Shay could play. The boy looked around for guidance and said, 'We're losing by six runs and the game is in the eighth inning. I guess he can be on our team and we'll try to put him in to bat in the ninth inning.'

Shay struggled over to the team's bench and, with a broad smile, put on a team shirt. I watched with a small tear in my eye and warmth in my heart. The boys saw my joy at my son being accepted.

In the bottom of the eighth inning, Shay's team scored a few runs but was still behind by three.

In the top of the ninth inning, Shay put on a glove and played in the right field. Even though no hits came his way, he was obviously ecstatic just to be in the game and on the field, grinning from ear to ear as I waved to him from the stands.

In the bottom of the ninth inning, Shay's team scored again.

Now, with two outs and the bases loaded, the potential winning run was on base and Shay was scheduled to be next at bat.

At this juncture, do they let Shay bat and give away their chance to win the game?

Surprisingly, Shay was given the bat. Everyone knew that a hit was all but impossible because Shay didn't even know how to hold the bat properly, much less connect with the ball.

However, as Shay stepped up to the

plate, the pitcher, recognizing that the other team was putting winning aside for this moment in Shay's life, moved in a few steps to lob the ball in softly so Shay could at least make contact.

The first pitch came and Shay swung clumsily and missed.

The pitcher again took a few steps forward to toss the ball softly towards Shay.

As the pitch came in, Shay swung at the ball and hit a slow ground ball right back to the pitcher.

The game would now be over.

The pitcher picked up the soft grounder and could have easily thrown the ball to the first baseman.

Shay would have been out and that would have been the end of the game.

Instead, the pitcher threw the ball right over the first baseman's head, out of reach of all team mates.

Everyone from the stands and both teams started yelling, 'Shay, run to first!

Run to first!'

Never in his life had Shay ever run that far, but he made it to first base.

He scampered down the baseline, wide-eyed and startled.

Everyone yelled, 'Run to second, run to second!'

Catching his breath, Shay awkwardly ran towards second, gleaming and struggling to make it to the base.

B y the time Shay rounded towards second base, the right fielder had the ball . The smallest guy on their team who now had his first chance to be the hero for his team.

He could have thrown the ball to the second-baseman for the tag, but he understood the pitcher's intentions so he, too, intentionally threw the ball high and far over the third-baseman's head.

Shay ran toward third base deliriously as the runners ahead of him circled the bases toward home.

All were screaming, 'Shay, Shay, Shay, all the Way Shay'

Shay reached third base because the opposing shortstop ran to help him by turning him in the direction of third base, and shouted, 'Run to third!

Shay, run to third!'

As Shay rounded third, the boys from both teams, and the spectators, were on their feet screaming, 'Shay, run home! Run home!'

Shay ran to home, stepped on the plate, and was cheered as the hero who hit the grand slam and won the game for his team

'That day', said the father softly with tears now rolling down his face, 'the boys from both teams helped bring a piece of true love and humanity into this world'.

Shay didn't make it to another summer. He died that winter, having never forgotten being the hero and making me so happy, and coming home and seeing his Mother tearfully embrace her little hero of the day!

AND NOW SOME FOR YOU TO PONDER ABOUT:

We all send thousands of jokes through the e-mail or pass on the links to sites without a second thought, but when it comes to sending messages about life choices, people hesitate.

The crude, vulgar, and often obscene pass freely through cyberspace, but public discussion about decency is too often suppressed in our schools and workplaces.

If you're thinking about sending a link about this message, chances are that you're probably sorting out the people in your mind who aren't the 'appropriate' ones to receive this type of link, I believe that we all can make a difference.

We all have thousands of opportunities every single day to help realize the 'natural order of things.'

So many seemingly trivial interactions between two people present us with a choice:

Do we pass along a little spark of love and humanity or do we pass up those opportunities and leave the world a little bit colder in the process?

A wise man once said every society is judged by how it treats it's least fortunate amongst them.

You now have two choices:

1. Forget about this story
2. Ask others to read it

Thursday, June 3, 2010

The Battle of Saragarhi

"21 Sikhs" is the incredible story of 21 men of the 36th Sikh Regiment (currently the 4th Sikh Regiment) who gave up their lives in devotion to their duty during the Battle of Saragarhi. This battle, like any others fought by the Sikhs, highlights the heroic action by a small detachment of Sikh soldiers against heavy odds. This encounter took place on 12 September 1897 in the Tirah region of North-West Frontier Province (now in Pakistan, which then formed part of British India). In keeping with the tradition of the Sikh Army, they fought to the death rather than surrender.


The contingent of the twenty-one Sikhs from the 36th Sikhs was led by Havildar Ishar Singh. They all chose to fight to the death. Sikh military personnel and Sikh civilians commemorate the battle every year on 12 September, as Saragarhi Day.

The Battle at Saragarhi is one of eight stories of collective bravery published by UNESCO (United Nations Educational, Scientific and Cultural Organization). It has been mentioned as one of the five most significant events of its kind in the world which includes the Battle of Thermopylae associated with the heroic stand of a small Greek force against the mighty Persian Army of Xerxes I in 480 B.C.

The British colonial rulers had constructed a series of forts to control the NWFP (North West Frontier Province - today a state in Pakistan) and to provide security to troops against marauding tribesmen and their lashkars (large body of troops). Most of these forts had initially been built by Maharaja Ranjit Singh as part of the consolidation of the Sikh empire in Punjab and the British added some more. The British had only partially succeeded in gaining control over this region, consequently, skirmishes and sometimes serious fights with the tribals were a frequent occurrence. However, the NWFP was a good training ground for the Indian Army to hone its skills and techniques.

Two such forts on the Samana ridge of the Hindukush & Sulaiman ranges that is Fort Lockhart and Fort Gulistan were a few miles apart. Since these forts were not inter-visible, a signalling relay post called Saragarhi was located mid-way on a bluff to provide heliographic (A heliograph is a simple device for sending Morse code using a mirror catching the sunlight) communications between them. This post or picket had been fortified to provide safety and protection to the signalling detachment. In 1897 there was a general uprising in the NWFP engineered by Afghans as part of their policy, which came to be known as the 'prickly heat policy' to direct the wrath of the tribals against the British. In this uprising, Mullahs (Muslim religious leaders) played a prominent role. It was the duty of the 36th Sikh to occupy Gulistan and Lockhart forts. On 3rd and 9th September 1897, Orakazai and Afridi lashkars attacked Fort Gulistan. On both occasion the attacks were beaten back. A relief column was sent from the fort to assist in beating back these attacks.

The relief column from Lockhart on the return trip reinforced the signalling detachment at Saragarhi making its strength to 1 NCO (Non-Commissioned Officer) and 20 ORs (Other Ranks). In a renewed effort, on 12 September 1897, hordes of tribesmen laid siege to Fort Lockhart and Saragarhi, with the aim of overrunning the latter and at the same time preventing any help from the former. The Commanding Officer of 36th Sikh, Lt. Col. Haughton, was at Fort Lockhart and was in communication with the Saragarhi post through helicograph. The defenders of Saragarhi under the indomitable and inspiring leadership of their detachment commander, Havildar Ishar Singh, resolved to defend their post in the best tradition of their race and regiment. They were not there to hand over the post to the enemy and seek safety elsewhere. Havildar Singh and his men knew well that the post would fall, because a handful of men in that make-shift fort of stones & mud walls with a wooden door could not stand the onslaught of thousands of tribesmen. These plucky men knew that they will go down but they had resolved to do so fighting to the last.
From Fort Lockhart, troops and the Commanding Officer could count at least 14 standards and that gave an idea of the number of tribes and their massed strength against the Saragarhi relay post (estimated at between 10,000 to 12,000 tribals). From early morning the tribals started battering the fort. The Sikhs fought back valiantly. Charge after charge was repulsed by the men of the 36th Sikh. The tribal leaders started to make tempting promises so that the Sikhs would surrender. But Havildar Singh and his men ignored them. For quite some time, the troops held their own against the determined and repeated attacks by the wild and ferocious hordes. A few attempts were made to send a relief column from Fort Lockhart but these were foiled by the tribals.

At Saragarhi, the enemy made two determined attempts to rush the gate of the post and on both occasions the defenders repulsed the assault. While the enemy suffered heavy casualties, the ranks of the defenders too kept dwindling as the fire from the attackers took its toll and their ammunition stocks were depleting. Unmindful of his safety, Sepoy Gurmukh Singh kept signalling a minute-to-minute account of the battle from the signal tower in the post to Battalion HQs. The battle lasted the better part of the day. When repeated attacks failed, the enemy set fire to the surrounding bushes & shrubs and two of the tribesmen under cover of smoke, managed to close in with the post's boundary wall in an area blind to the defender's observation and rifle fire from the post holes. They succeeded in making a breach in the wall. This development could be seen from Fort Lockhart and was flashed to the post.
A few men from those defending the approaches to the gate were dispatched to deal with the breach in the wall. This diversion by the enemy and the defenders' reaction resulted in weakening of the fire covering the gate. The enemy now rushed the gate as well as the breach. Thereafter, one of the fiercest hand-to-hand fights followed. One of the Havildar Singh's men, who was seriously wounded and was profusely bleeding, had taken charge of the guardroom. He shot four of the enemy as they tried to approach his charge. All this time, Sepoy Gurmukh Singh continued flashing the details of the action at the post. Beside this the Commanding Officer of 36th Sikh and others at Lockhart Fort also saw his unique saga of heroism and valour unfold at Saragarhi. The battle had come too close for Sepoy Gurmukh Singh's comfort, so he asked Battalion HQs for permission to shut down the heliograph and take up his rifle. Permission was flashed back. He dismounted his heliograph equipment, packed it in a leather bag, fixed bayonet on his rifle and joined the fight. From this vantage point in the tower he wrought havoc on the intruders in the post. He died fighting, but took 20 of the enemy with him.

The tribals set fire to the post, while the brave garrison lay dead or dying with their ammunition exhausted. Next morning the relief column reached the post and the tell tale marks of the epic fight were there for all to see. The tribals later admitted to figure of 180 dead and many more wounded. This episode when narrated in the British Parliament, drew from the members a standing ovation in the memory of the defenders of Saragarhi. The story of the heroic deeds of these men was also placed before Queen Victoria. The account was received all over the world with awe and admiration. All the 21 valiant men of this epic battle were awarded the Indian Order of Merit Class III (posthumously) which at the time was one of the highest gallantry awards given to Indian troops and is considered equivalent to the present-day Vir Chakra. All dependants of the Saragarhi heroes were awarded 50 acres of land and 500 Rupees. Never before or since has a body of troops - that is, all of them won gallantry awards in a single action. It is indeed a singularly unique action in the annals of Indian military history.

The names of the 21 recipients of the gallantry award are:

1. Havildar Ishar Singh (regimental number 165[10])
2. Naik Lal Singh (332)
3. Lance Naik Chanda Singh (546)
4. Sepoy Sundar Singh (1321)
5. Sepoy Ram Singh (287)
6. Sepoy Uttar Singh (492)
7. Sepoy Sahib Singh (182)
8. Sepoy Hira Singh (359)
9. Sepoy Daya Singh (687)
10. Sepoy Jivan Singh (760)
11. Sepoy Bhola Singh (791)
12. Sepoy Narayan Singh (834)
13. Sepoy Gurmukh Singh (814)
14. Sepoy Jivan Singh (871)
15. Sepoy Gurmukh Singh (1733)
16. Sepoy Ram Singh (163)
17. Sepoy Bhagwan Singh (1257)
18. Sepoy Bhagwan Singh (1265)
19. Sepoy Buta Singh (1556)
20. Sepoy Jivan Singh (1651)
21. Sepoy Nand Singh (1221)

Tuesday, March 23, 2010

Premarital sex or Live in relationships no offence-Supreme Court

In a slap in the face of so called moralists of the society the Supreme Court of India ruled that pre marital sex and Live in relationships constituted no offence.

“When two adults want to live together, what is the offence? Does it amount to an offence? Living together is not an offence. It cannot be an offence,” Chief Justice of India K.G. Balakrishnan, heading a three-judge bench, said, hearing petitions against Tamil actress Khusboo. The actress had said in a magazine that pre-marital sex was fine. ( I think the complainants were sore since she did not have designs on them).

Even Lord Krishna and Radha lived together according to mythology, the judges pointed out, adding no law prohibited either pre-marital sex or live-in relationships. “Please tell us what is the offence and under which section? Living together is part of right to life given in the Constitution,” the bench said.

The argument of the counsel was that her comments allegedly endorsing pre-marital sex would adversely affect the minds of young people leading to decay in moral values and country's ethos.

"Please tell us what is the offence and under which section. Living together is a right to life," the apex court said apparently referring to Article 21 which granted Right to Life and Liberty as a Fundamental Right.

The apex court further said the views expressed by Ms. Khusboo were personal.

"How does it concern you? We are not bothered. At the most it is a personal view. How is it an offence? Under which provision of the law?" the bench asked the counsel.

The apex court further asked the complainants to produce evidence to show if any girls eloped from their homes after the said interview.

"How many homes have been affected can you tell us," the Bench asked while enquiring whether the complainants had daughters. When the response was in the negative, they shot back, "Then, how are you adversely affected?"

The judges said activities perceived to be immoral by sections of society could not be branded an “offence”, trying to make a distinction between the two concepts.

Ms. Khusboo had approached the apex court after the Madras High Court in 2008 dismissed her plea for quashing the criminal cases filed against her throughout Tamil Nadu.



Sunday, December 7, 2008

Laura Bush killed a guy in car accident

In May 2000, a two-page police report pertaining to a fatal accident that had taken place near Midland, Texas, in 1963 was made public, according to which Laura Bush killed a guy in a car accident.


According to a public police report, Laura Bush (then known as Laura Welch) was involved in a fatal car accident in 1963. According to the report, Laura Welch allegedly had been driving when her car passed a stop sign and struck a sedan driven by 17-year-old named Michael Douglas. No charges were filed as a result of the accident. There was another female teenage passenger in Laura (Bush)Welch’s car.

News reports stated that Michael Douglas died after suffering a broken neck in the car accident with Laura Bush. He was pronounced dead on arrival at Midland Memorial Hospital.

There have been numerous rumors over the years regarding Laura Welch’s conduct at the time and whether she was at fault for the accident. Some have insinuated that Laura Welch was criminally negligent and/or she had been drinking. However, no lawsuits or charges were ever filed. There is no evidence of wrongdoing on her part.

Laura Welch was taken to the hospital after the accident and treated for minor injuries. Michael Douglas was a star athlete at Laura Welch’s high school. According to news reports, he was very popular among his peers.

''It was a very tragic accident that deeply affected the families and was very painful for all involved, including the community at large,'' said Mrs. Bush's spokesman, Andrew Malcolm. ''To this day, Mrs. Bush remains unable to talk about it.''

Laura Bush, asked at a campaign stop about the crash said, ''I know this as an adult, and even more as a parent, it was crushing ... for the family involved and for me as well.''

There had been published accounts of the accident, but city officials had declined to release the records because those involved were under 18. The police report was released in response to an open-records request that was submitted to Midland officials in March.

According to the two-page accident report, Laura (Bush) Welch was driving her Chevrolet sedan on a clear night shortly after 8 p.m. on Nov. 6, 1963, when she drove into an intersection and struck a Corvair sedan driven by 17-year-old Michael Douglas.

Although previous news accounts have reported Douglas was thrown from the car and broke his neck, those details were not in the report.

The speed of Laura Bush's car was illegible on the report. The speed limit for the road was 55.

Laura Bush and her passenger, Judy Dykes, also 17, were taken to a hospital and treated for minor injuries, according to an accident account printed at the time in the Midland Reporter-Telegram.

Thursday, August 28, 2008

FAREWELL LETTER FROM A GENIUS

Gabriel Garcia Marquez, famous writer from Colombia, and Nobel Peace Prize winner for literature, has retired from public life for reasons of health. He has a form of cancer, which is terminal. He has sent a farewell letter to his friends.

It is recommended reading because it is moving to see how one of the best and most brilliant of writers expresses himself & with sorrow. (Even as I'm SURE this would have sounded TWICE as good in Spanish, let us enjoy the English version nonetheless....)

He says:

If God, for a second, forgot what I have become and granted me a little bit more of life, I would use it to the best of my ability.

I wouldn't, possibly, say everything that is in my mind, but I would be more thoughtful of all I say. I would give merit to things not for what they are worth, but for what they mean to express.

I would sleep little, I would dream more, because I know that for every minute that we close our eyes, we waste 60 seconds of light.

I would walk while others stop; I would awake while others sleep.

If God would give me a little bit more of life, I would dress in a simple manner, I would place myself in front of the sun, leaving not only my body, but my soul naked at its mercy.

To all men, I would say how mistaken they are when they think that they stop falling in love when they grow old, without knowing that they grow old when they stop falling in love.

I would give wings to children, but I would leave it to them to learn how to fly by themselves.

To old people I would say that death doesn't arrive when they grow old, but with forgetfulness.

I have learned so much with you all, I have learned that everybody wants to live on top of the mountain, without knowing that true happiness is obtained in the journey taken & the form used to reach the top of the hill.

I have learned that when a newborn baby holds, with its little hand, his father's finger, it has trapped him for the rest of his life.

I have learned that a man has the right and obligation to look down at another man, only when that man needs help to get up from the ground.

Say always what you feel, not what you think. If I knew that today is the last time that that I am going to see you asleep, I would hug you with all my strength and I would pray to the Lord to let me be the guardian angel of your soul.

If I knew that these are the last moments to see you, I would say 'I love you'.

There is always tomorrow, and life gives us another opportunity to do things right, but in case I am wrong, and today is all that is left to me, I would love to tell you how much I love you & that I will never forget you.

Tomorrow is never guaranteed to anyone, young or old.

Today could be the last time to see your loved ones, which is why you mustn't wait; do it today, in case tomorrow never arrives. I am sure you will be sorry you wasted the opportunity today to give a smile, a hug, a kiss, and that you were too busy to grant them their last wish.

Keep your loved ones near you; tell them in their ears and to their faces how much you need them and love them. Love them and treat them well; take your time to tell them 'I am sorry';' forgive me',' please' 'thank you', and all those loving words you know.

Nobody will know you for your secret thought. Ask the Lord for wisdom and strength to express them.

Show your friends and loved ones how important they are to you.

Send this letter to those you love. If you don't do it today...tomorrow will be like yesterday, and if you never do it, it doesn't matter either, the moment to do it is now.

For you,
With much love,
Your Friend,

Gabriel Garcia Marquez

Tuesday, May 27, 2008

World's First Pregnant Man


Move over ladies, Men are coming to one exclusive field you had total control over, Child Birth!

Women have been participating in virtually every field supposed to be the exclusive male domain at one time or another, be it the corporate world, sports, politics, Armed forces, you name it and women had come and made their mark in once "men only" arenas.

This is the picture of Thomas Beatie, the transgender man of Oregon who got pregnant by artificial insemination, as he mows the lawn at his home May 18, 2008.

Beatie, the world's first pregnant man, has been photographed doing his domestic chores six weeks from giving birth.

Thomas and his wife Nancy have been married for five years, and have been trying to have children for two years, but Nancy is unable to bear children due to endometriosis. He has decided to carry his child as he has said, "Wanting to have a biological child is neither a male nor female desire, but a human desire. (we have been telling that to the ladies for ages but they never believed us man! Way to go dude and good luck).

source ic.eastday.com

Friday, May 9, 2008

Randy Pausch Delivers Lecture of a Lifetime


Randy Pausch, a Carnegie Mellon University computer-science professor, was about to give a lecture Tuesday afternoon, but before he said a word, he received a standing ovation from 400 students and colleagues.

He motioned to them to sit down. "Make me earn it," he said.

They had come to see him give what was billed as his "last lecture." This is a common title for talks on college campuses today. Schools such as Stanford and the University of Alabama have mounted "Last Lecture Series," in which top professors are asked to think deeply about what matters to them and to give hypothetical final talks. For the audience, the question to be mulled is this: What wisdom would we impart to the world if we knew it was our last chance?

It can be an intriguing hour, watching healthy professors consider their demise and ruminate over subjects dear to them. At the University of Northern Iowa, instructor Penny O'Connor recently titled her lecture "Get Over Yourself." At Cornell, Ellis Hanson, who teaches a course titled "Desire," spoke about sex and technology.

At Carnegie Mellon, however, Dr. Pausch's speech was more than just an academic exercise. The 46-year-old father of three has pancreatic cancer and expects to live for just a few months. His lecture, using images on a giant screen, turned out to be a rollicking and riveting journey through the lessons of his life.

He began by showing his CT scans, revealing 10 tumors on his liver. But after that, he talked about living. If anyone expected him to be morose, he said, "I'm sorry to disappoint you." He then dropped to the floor and did one-handed pushups.

Clicking through photos of himself as a boy, he talked about his childhood dreams: to win giant stuffed animals at carnivals, to walk in zero gravity, to design Disney rides, to write a World Book entry. By adulthood, he had achieved each goal. As proof, he had students carry out all the huge stuffed animals he'd won in his life, which he gave to audience members. After all, he doesn't need them anymore.

He paid tribute to his techie background. "I've experienced a deathbed conversion," he said, smiling. "I just bought a Macintosh." Flashing his rejection letters on the screen, he talked about setbacks in his career, repeating: "Brick walls are there for a reason. They let us prove how badly we want things." He encouraged us to be patient with others. "Wait long enough, and people will surprise and impress you." After showing photos of his childhood bedroom, decorated with mathematical notations he'd drawn on the walls, he said: "If your kids want to paint their bedrooms, as a favor to me, let 'em do it."

While displaying photos of his bosses and students over the years, he said that helping others fulfill their dreams is even more fun than achieving your own. He talked of requiring his students to create videogames without sex and violence. "You'd be surprised how many 19-year-old boys run out of ideas when you take those possibilities away," he said, but they all rose to the challenge.

He also saluted his parents, who let him make his childhood bedroom his domain, even if his wall etchings hurt the home's resale value. He knew his mom was proud of him when he got his Ph.D, he said, despite how she'd introduce him: "This is my son. He's a doctor, but not the kind who helps people."

He then spoke about his legacy. Considered one of the nation's foremost teachers of video game and virtual-reality technology, he helped develop "Alice," a Carnegie Mellon software project that allows people to easily create 3-D animations. It had one million downloads in the past year, and usage is expected to soar.

"Like Moses, I get to see the Promised Land, but I don't get to step foot in it," Dr. Pausch said. "That's OK. I will live on in Alice."
DISCUSS


Many people have given last speeches without realizing it. The day before he was killed, Martin Luther King Jr. spoke prophetically: "Like anybody, I would like to live a long life. Longevity has its place." He talked of how he had seen the Promised Land, even though "I may not get there with you."

Dr. Pausch's lecture, in the same way, became a call to his colleagues and students to go on without him and do great things. But he was also addressing those closer to his heart.

Near the end of his talk, he had a cake brought out for his wife, whose birthday was the day before. As she cried and they embraced on stage, the audience sang "Happy Birthday," many wiping away their own tears.

Dr. Pausch's speech was taped so his children, ages 5, 2 and 1, can watch it when they're older. His last words in his last lecture were simple: "This was for my kids." Then those of us in the audience rose for one last standing ovation.

Source : in wsj by Jeffrey Zaslow

Randy Pausch's Last Lecture Part-1

The "Last Lecture"

On September 18, 2007, an unknown computer science expert delivered a lecture to students at Carnegie Mellon University, in Pittsburgh, USA. The hour long speech by Randy Pausch has become a phenomenon since. The transcript of this speech by Randy Pausch is reproduced below.

I am flattered and embarassed by all the recent attention to my "Last Lecture." I am told that, including abridged versions, over six million people have viewed the lecture online. The lecture really was for my kids, but if others are finding value in it, that is wonderful. But rest assured; I'm hardly unique. Send your kids to Carnegie Mellon and the other professors here will teach them valuable life lessons long after I'm gone.

-- Randy

Randy Pausch: [Responding to a standing ovation] Make me earn it. [laughter] It's wonderful to be here. What Indira didn't tell you is that this lecture series used to be called the Last Lecture. If you had one last lecture to give before you died, what would it be? I thought, damn, I finally nailed the venue and they renamed it. [laughter]

So, you know, in case there's anybody who wandered in and doesn't know the back story, my dad always taught me that when there's an elephant in the room, introduce them. If you look at my CAT scans, there are approximately 10 tumors in my liver, and the doctors told me I had -6 months of good health left. That was a month ago, so you can do the math. I have some of the best doctors in the world. Microphone's not working? Then I'll just have to talk louder. [Adjusts mic] Is that good? All right.

So that is what it is. We can't change it, and we just have to decide how we're going to respond to that. We cannot change the cards we are dealt, just how we play the hand. If I don't seem as depressed or morose as I should be, sorry to disappoint you. [laughter] And I assure you I am not in denial. It's not like I'm not aware of what's going on. My family, my three kids, my wife, we just decamped. We bought a lovely house in Virginia, and we're doing that because that's a better place for the family to be, down the road.

And the other thing is I am in phenomenally good health right now. I mean it's the greatest thing of cognitive dissonance you will ever see is the fact that I am in really good shape. In fact, I am in better shape than most of you. [Randy gets on the ground and starts doing pushups] [Applause] So anybody who wants to cry or pity me can down and do a few of those, and then you may pity me. [laughter]

All right, so what we're not talking about today, we are not talking about cancer, because I spent a lot of time talking about that and I'm really not interested. If you have any herbal supplements or remedies, please stay away from me. [laughter] And we're not going to talk about things that are even more important than achieving your childhood dreams. We're not going to talk about my wife, we're not talking about my kids. Because I'm good, but I'm not good enough to talk about that without tearing up. So, we're just going to take that off the table. That's much more important.

And we're not going to talk about spirituality and religion, although I will tell you that I have achieved a deathbed conversion. [dramatic pause] ... I just bought a Macintosh. [laughter and clapping] Now I knew I'd get 9% of the audience with that ....

All right, so what is today's talk about then? It's about my childhood dreams and how I have achieved them. I've been very fortunate that way. How I believe I've been able to enable the dreams of others, and to some degree, lessons learned. I'm a professor, there should be some lessons learned and how you can use the stuff you hear today to achieve your dreams or enable the dreams of others. And as you get older, you may find that "enabling the dreams of others" thing is even more fun.

So what were my childhood dreams? Well, you know, I had a really good childhood. I mean, no kidding around. I was going back through the family archives, and what was really amazing was, I couldn't find any pictures of me as a kid where I wasn't smiling. And that was just a very gratifying thing. There was our dog, right? Aww, thank you. And there I actually have a picture of me dreaming. I did a lot of that. You know, there's a lot of wake up's!

I was born in 1960. When you are 8 or 9 years old and you look at the TV set, men are landing on the moon, anything's possible. And that's something we should not lose sight of, is that the inspiration and the permission to dream is huge.

So what were my childhood dreams? You may not agree with this list, but I was there. [laughter] Being in zero gravity, playing in the National Football League, authoring an article in the World Book Encyclopedia

I guess you can tell the nerds early. [laughter] Being Captain Kirk, anybody here have that childhood dream? Not at CMU, nooooo. I wanted to become one of the guys who won the big stuffed animals in the amusement park, and I wanted to be an Imagineer with Disney. These are not sorted in any particular order, although I think they do get harder, except for maybe the first one.

OK, so being in zero gravity. Now it's important to have specific dreams. I did not dream of being an astronaut, because when I was a little kid, I wore glasses and they told me oh, astronauts can't have glasses. And I was like, mmm, I didn't really want the whole astronaut gig, I just wanted the floating.

So, and as a child [laughter], prototype 0.0. [slide shown of Randy as a child lying in floatingformation on a table top] But that didn't work so well, and it turns out that NASA has something called the Vomit Comet that they used to train the astronauts. And this thing does parabolic arcs, and at the top of each arc you get about 25 seconds where you're ballistic and you get about, a rough equivalent of weightlessness for about 25 seconds. And there is a program where college students can submit proposals and if they win the competition, they get to fly. And I thought that was really cool, and we had a team and we put a team together and they won and they got to fly.

And I was all excited because I was going to go with them. And then I hit the first brick wall, because they made it very clear that under no circumstances were faculty members allowed to fly with the teams. I know, I was heartbroken. I was like, I worked so hard! And so I read the literature very carefully and it turns out that NASA, it's part of their outreach and publicity program, and it turns out that the students were allowed to bring a local media journalist from their home town.

[laughter] And, [deep voice] Randy Pausch, web journalist. [regular voice] It's really easy to get a press pass! [laughter] So I called up the guys at NASA and I said, I need to know where to fax some documents. And they said, what documents are you going to fax us? And I said my resignation as the faculty advisor and my application as the journalist. And he said, that's a little transparent, don't you think? And I said, yeah, but our project is virtual reality, and we're going to bring down a whole bunch of VR headsets and all the students from all the teams are going to experience it and all those other real journalists are going to get to film it.

Jim Foley's [who is nodding in the audience] going oh you bastard, yes. And the guy said, here's the fax number. So, indeed, we kept our end of the bargain, and that's one of the themes that you'll hear later on in the talk, is have something to bring to the table, right, because that will make you more welcome. And if you're curious about what zero gravity looks like, hopefully the sound will be working here. [slide shows videotape from Randy's zero gravity experience] There I am. [laughter] You do pay the piper at the bottom. [laugher, as the people in the video crash to the floor of the plane on the video] So, childhood dream number one, check.

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Randy Pausch's Last Lecture Part-2

Randy Pausch: OK, let's talk about football. My dream was to play in the National Football League. And most of you don't know that I actually -- no. [laughter] No, I did not make it to the National Football League, but I probably got more from that dream and not accomplishing it than I got from any of the ones that I did accomplish. I had a coach, I signed up when I was nine years old. I was the smallest kid in the league, by far.

And I had a coach, Jim Graham, who was six-foot-four, he had played linebacker at Penn State. He was just this hulk of a guy and he was old school. And I mean really old school. Like he thought the forward pass was a trick play. [laughter] And he showed up for practice the first day, and you know, there's big hulking guy, we were all scared to death of him. And he hadn't brought any footballs. How are we going to have practice without any footballs?

And one of the other kids said, excuse me coach, but there's no football. And Coach Graham said, right, how many men are on a football field at a time? Eleven on a team, twenty-two. Coach Graham said, all right, and how many people are touching the football at any given time? One of them. And he said, right, so we're going to work on what those other twenty-one guys are doing. And that's a really good story because it's all about fundamentals. Fundamentals, fundamentals, fundamentals. You've got to get the fundamentals down because otherwise the fancy stuff isn't going to work.

And the other Jim Graham story I have is there was one practice where he just rode me all practice. You're doing this wrong, you're doing this wrong, go back and do it again, you owe me, you're doing push-ups after practice. And when it was all over, one of the other assistant coaches came over and said, yeah, Coach Graham rode you pretty hard, didn't he? I said, yeah. He said, that's a good thing. He said, when you're screwing up and nobody's saying anything to you anymore, that means they gave up. And that's a lesson that stuck with me my whole life. Is that when you see yourself doing something badly and nobody's bothering to tell you anymore, that's a very bad place to be. Your critics are your ones telling you they still love you and care.

After Coach Graham, I had another coach, Coach Setliff, and he taught me a lot about the power of enthusiasm. He did this one thing where only for one play at a time he would put people in at like the most horrifically wrong position for them. Like all the short guys would become receivers, right? It was just laughable. But we only went in for one play, right? And boy, the other team just never knew what hit 'em. Because when you're only doing it for one play and you're just not where you're supposed to be, and freedom's just another word for nothing left to lose, boy are you going to clean somebody's clock for that one play. And that kind of enthusiasm was great.

And to this day, I am most comfortable on a football field. I mean, it's just one of those things where, you know, [pulls out a football] if I'm working a hard problem, people will see me wandering the halls with one of these things, and that's just because, you know, when you do something young enough and you train for it, it just becomes a part of you. And I'm very glad that football was a part of my life. And if I didn't get the dream of playing in the NFL, that's OK. I've probably got stuff more valuable. Because looking at what's going on in the NFL, I'm not sure those guys are doing so great right now.

OK, and so one of the expressions I learned at Electronic Arts, which I love, which pertains to this, is experience is what you get when you didn't get what you wanted. And I think that's absolutely lovely. And the other thing about football is we send our kids out to play football or soccer or swimming or whatever it is, and it's the first example of what I'm going to call a head fake, or indirect learning. We actually don't want our kids to learn football. I mean, yeah, it's really nice that I have a wonderful three-point stance and that I know how to do a chop block and all this kind of stuff.

But we send our kids out to learn much more important things. Teamwork, sportsmanship, perseverance, etcetera, etcetera. And these kinds of head fake learning are absolutely important. And you should keep your eye out for them because they're everywhere.

All right. A simple one, being an author in the World Book Encyclopedia. When I was a kid, we had the World Book Encyclopedia on the shelf. For the freshman, this is paper. ...We used to have these things called books. [laughter] And after I had become somewhat of an authority on virtual reality, but not like a really important one, so I was at the level of people the World Book would badger.

They called me up and I wrote an article, and this is Caitlin Kelleher [shows slide of Caitlin wearing virtual reality headset manipulating a 3D world], and there's an article if you go to your local library where they still have copies of the World Book. Look under V for Virtual Reality, and there it is. And all I have to say is that having been selected to be an author in the World Book Encyclopedia, I now believe that Wikipedia is a perfectly fine source for your information because I know what the quality control is for real encyclopedias. They let me in.

All right, next one. [laughter] [shows slide "Being like Meeting Captain Kirk"] At a certain point you just realize there are some things you are not going to do, so maybe you just want to stand close to the people. And I mean, my god, what a role model for young people. [laughter] [shows slide of Captain Kirk sitting at his control station on the Starship Enterprise] I mean, this is everything you want to be, and what I learned that carried me forward in leadership later is that, you know, he wasn't the smartest guy on the ship. I mean, Spock was pretty smart and McCoy was the doctor and Scotty was the engineer.

And you sort of go, and what skill set did he have to get on this damn thing and run it? And, you know, clearly there is this skill set called leadership, and, you know, whether or not you like the series, there's no doubt that there was a lot to be learned about how to lead people by watching this guy in action. And he just had the coolest damn toys! [laughter] [shows slide of Star Trek gadgets] I mean, my god, I just thought it was fascinating as a kid that he had this thing [Takes out Star Trek Communicator] and he could talk to the ship with it. I just thought that was just spectacular, and of course now I own one and it's smaller. [takes out cell phone] So that's kind of cool.

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Randy Pausch's Last Lecture Part-3

Randy Pausch: So I got to achieve this dream. James T. Kirk, and his alter ego William Shatner, wrote a book, which I think was actually a pretty cool book. It was with Chip Walter who is a Pittsburgh-based author who is quite good, and they wrote a book on basically the science of Star Trek, you know, what has come true. And they went around to the top places around the country and looked at various things and they came here to study our virtual reality setup. And so we build a virtual reality for him, it looks something like that. [shows slide of virtual Star Trek bridge from the 1960's TV show] We put it in, put it to red alert. He was a very good sport. [sarcastically] It's not like he saw that one coming. [laughter] And it's really cool to meet your boyhood idol, but it's even cooler when he comes to you to see what cool stuff you're doing in your lab. And that was just a great moment.

All right, winning stuffed animals. This may seem mundane to you, but when you're a little kid and you see the big buff guys walking around the amusement park and they've got all these big stuffed animals, right? And this is my lovely wife, and I have a lot of pictures of stuffed animals I've won. [laughter] [shows slides of several large stuffed animals] That's my dad posing with one that I won. I've won a lot of these animals. There's my dad, he did win that one, to his credit.

And this was just a big part of my life and my family's life. But you know, I can hear the cynics. In this age of digitally manipulated images, maybe those bears really aren't in the pictures with me, or maybe I paid somebody five bucks to take a picture in the theme park next to the bear. And I said, how, in this age of cynicism can I convince people? And I said, I know, I can show them the bears! Bring them out. [several large stuffed animals are brought onto the stage] [laughter and clapping] Just put them back against the wall.

Jai Pausch (Randy's wife): It's hard to hear you. [adjusts Randy's microphone]

Randy Pausch: Thanks honey. [laughter] So here are some bears. We didn't have quite enough room in the moving truck, and anybody who would like a little piece of me at the end of this, feel free to come up and take a bear, first come, first served.

All right, my next one. Being an Imagineer. This was the hard one. Believe me, getting to zero gravity is easier than becoming an Imagineer. When I was a kid, I was eight years old and our family took a trip cross-country to see Disneyland. And if you've ever seen the movie National Lampoon's Vacation, it was a lot like that! [laughter] It was a quest. [shows slides of family at Disneyland] And these are real vintage photographs, and there I am in front of the castle.

And there I am, and for those of you who are into foreshadowing, this is the Alice ride. [laughter] And I just thought this was just the coolest environment I had ever been in, and instead of saying, gee, I want to experience this, I said, I want to make stuff like this. And so I bided my time and then I graduated with my Ph.D. from Carnegie Mellon, thinking that meant me infinitely qualified to do anything. And I dashed off my letters of applications to Walt Disney Imagineering, and they sent me some of the damned nicest go-to-hell letters I have ever gotten. [laughter] I mean it was just, we have carefully reviewed your application and presently we do not have any positions available which require your particular qualifications.

Now think about the fact that you're getting this from a place that's famous for guys who sweep the street. [laughter] So that was a bit of a setback. But remember, the brick walls are there for a reason. The brick walls are not there to keep us out. The brick walls are there to give us a chance to show how badly we want something. Because the brick walls are there to stop the people who don't want it badly enough. They're there to stop the other people.

All right, fast forward to 1991. We did a system back at the University of Virginia called Virtual Reality on Five Dollars a Day. Just one of those unbelievable spectacular things. I was so scared back in those days as a junior academic. Jim Foley's here, and I just love to tell this story. He knew my undergraduate advisor, Andy Van Dam, and I'm at my first conference and I'm just scared to death. And this icon in the user interface community walks up to me and just out of nowhere just gives me this huge bear hug and he says, that was from Andy. And that was when I thought, OK, maybe I can make it. Maybe I do belong.

And a similar story is that this was just this unbelievable hit because at the time, everybody needed a half a million [dollars] to do virtual reality. And everybody felt frustrated. And we literally hacked together a system for about five thousand dollars in parts and made a working VR system. And people were just like, oh my god, you know, the Hewlett Packard garage thing. This is so awesome. And so I'm giving this talk and the room has just gone wild, and during the Q and A, a guy named Tom Furness, who was one of the big names in virtual reality at the time, he goes up to the microphone and he introduces himself.

I didn't know what he looked like but I sure as hell knew the name. And he asked a question. And I was like, I'm sorry did you say you were Tom Furness? And he said yes. I said, then I would love to answer your question, but first, will you have lunch with me tomorrow? [laughter] And there's a lot in that little moment, there's a lot of humility but also asking a person where he can't possibly say no. [laughter]

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Randy Pausch's Last Lecture Part-4

Randy Pausch: And so Imagineering a couple of years later was working on a virtual reality project. This was top secret. They were denying the existence of a virtual reality attraction after the time that the publicity department was running the TV commercials. So Imagineering really had nailed this one tight. And it was the Aladdin attraction where you would fly a magic carpet, and the head mounted display, sometimes known as gator vision. And so I had an in. As soon as the project had just, you know they start running the TV commercials, and I had been asked to brief the Secretary of Defense on the state of virtual reality. OK, Fred Brooks and I had been asked to brief the Secretary of Defense, and that gave me an excuse. So I called them. I called Imagineering and I said, look, I'm briefing the Secretary of Defense. I'd like some materials on what you have because it's one of the best VR systems in the world.

And they kind of pushed back. And I said, look, is all this patriotism stuff in the parks a farce? And they're like, hmm, ok. [laughter] But they said this is so new the PR department doesn't have any footage for you, so I'm going to have to connect you straight through to the team who did the work. Jackpot! So I find myself on the phone with a guy named Jon Snoddy who is one of the most impressive guys I have ever met, and he was the guy running this team, and it's not surprising they had done impressive things. And so he sent me some stuff, we talked briefly and he sent me some stuff, and I said, hey, I'm going to be out in the area for a conference shortly,would you like to get together and have lunch? Translation: I'm going to lie to you and say that I have an excuse to be in the area so I don't look too anxious, but I would go to Neptune to have lunch with you! [laughter]

And so Jon said sure, and I spent something like 80 hours talking with all the VR experts in the world, saying if you had access to this one unbelievable project, what wouldyou ask? And then I compiled all of that and I had to memorize it, which anybody that knows me knows that I have no memory at all, because I couldn't go in looking like a dweeb with, you know, [in dweeby voice] Hi, Question 72. So, I went in, and this was like a two hour lunch, and Jon must have thought he was talking to some phenomenal person, because all I was doing was channeling Fred Brooks and Ivan Sutherland and Andy Van Dam and people like that. And Henry Fuchs. So it's pretty easy to be smart when you're parroting smart people.

And at the end of the lunch with Jon, I sort of, as we say in the business, made "the ask." And I said, you know, I have a sabbatical coming up. And he said, what's that? [laughter] The beginnings of the culture clash. And so I talked with him about the possibility of coming there and working with him. And he said, well that's really good except, you know, you're in the business of telling people stuff and we're in the business of keeping secrets. And then what made Jon Snoddy Jon Snoddy was he said, but we'll work it out, which I really loved.

The other thing that I learned from Jon Snoddy -- I could do easily an hour long talk just on what have I learned from Jon Snoddy. One of the things he told me was that wait long enough and people will surprise and impress you. He said, when you're pissed off at somebody and you're angry at them, you just haven't given them enough time. Just give them a little more time and they'll almost always impress you. And that really stuck with me. I think he's absolutely right on that one.

So to make a long story short, we negotiated a legal contract. It was going to be the first -- some people referred to it as the first and last paper ever published by Imagineering. That the deal was I go, I provide my own funding, I go for six months, I work with a project, we publish a paper. And then we meet our villain. [shows slide of a picture of a former dean of Randy's] I can't be all sweetness and light, because I have no credibility. Somebody's head's going to go on a stick. Turns out that the person who gets his head on a stick is a dean back at the University of Virginia. His name is not important. Let's call him Dean Wormer. [laughter]

And Dean Wormer has a meeting with me where I say I want to do this sabbatical thing and I've actually got the Imagineering guys to let an academic in, which is insane. I mean if Jon hadn't gone nuts, this would never have been a possibility. This is a very secretive organization. And Dean Wormer looks at the paperwork and he says, well it says they're going to own your intellectual property. And I said, yeah, we got the agreement to publish the paper. There is no other IP. I don't do patentable stuff. And says, yeah, but you might.

And so deal's off. Just go and get them to change that little clause there and then come back to me. I'm like, excuse me? And then I said to him, I want you to understand how important this is. If we can't work this out, I'm going to take an unpaid leave of absence and I'm just going to go there and I'm going to do this thing. And he said, hey, I might not even let you do that. I mean you've got the IP in your head already and maybe they're going to suck it out of you, so that's not going to fly either. [laughter]

It's very important to know when you're in a pissing match. And it's very important to get out of it as quickly as possible. So I said to him, well, let's back off on this. Do we think this is a good idea at all? He said, I have no idea if this is a good idea. I was like, [sarcastically] OK, well we've got common ground there. Then I said, well is this really your call? Isn't this the call of the Dean of Sponsored Research if it's an IP issue? And he said, yeah, that's true.

I said, but so if he's happy you're happy? [So he says] Yeah, then I'd be fine. Whoosh! Like Wile E. Coyote, I'm gone in a big ball of dust. And I find myself in Gene Block's office, who is the most fantastic man in the world. And I start talking to Gene Block and I say let's start at the high level, since I don't want to have to back out again. So let's start at the high level. Do you think this is a good idea? He said, well if you're asking me if it's a good idea, I don't have very much information. All I know is that one of my star faculty members is in my office and he's really excited, so tell me more.

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Randy Pausch's Last Lecture Part-5

Randy Pausch: Here's a lesson for everybody in administration. They both said the same thing. But think about how they said it, right? [In a loud, barking voice] I don't know! [In a pleasant voice] Well, I don't have much information, but one of my star faculty members is here and he's all excited so I want to learn more. They're both ways of saying I don't know, but boy there's a good way and a bad way. So anyway, we got it all worked out. I went to Imagineering. Sweetness and light. And all's well that ends well.

Some brick walls are made of flesh. So I worked on the Aladdin Project. It was absolutely spectacular, I mean just unbelievable. Here's my nephew Christopher. [Shows slide of Christopher on Aladdin apparatus] This was the apparatus. You would sit on this sort of motorcycle-type thing. And you would steer your magic carpet and you would put on the head-mounted display.

The headmounted display is very interesting because it had two parts, and it was a very clever design. To get through put up, the only part that touched the guest's head was this little cap and everything else clicked onto it -- all the expensive hardware. So you could replicate the caps because they were basically free to manufacture. [Showing slide of Randy cleaning a cap] And this is what I really did is I was a cap cleaner during the sabbatical. [laughter]

I loved Imagineering. It was just a spectacular place. Just spectacular. Everything that I had dreamed. I loved the model shop. People crawling around on things the size of this room that are just big physical models. It was just an incredible place to walk around and be inspired. I'm always reminded of when I went there and people said, do you think your expectations are too high? And I said, you ever see the movie Charlie and the Chocolate Factory? Willy Wonka and The Chocolate Factory? Where Gene Wilder says to the little boy Charlie, he's about to give him the chocolate factory. He says "Well Charlie, did anybody ever tell you the story of the little boy who suddenly got everything he ever wanted?" Charlie's eyes get like saucers and he says, "No, what happened to him?" Gene Wilder says, "He lived happily ever after." [laughter]

OK, so working on the Aladdin VR, I described it as a once in every five careers opportunity, and I stand by that assessment. And it forever changed me. It wasn't just that it was good work and I got to be a part of it. But it got me into the place of working with real people and real HCI user interface issues. Most HCI people live in this fantasy world of white collar laborers with Ph.D.s and masters degrees. And you know, until you got ice cream spilled on you, you're not doing field work. And more than anything else, from Jon Snoddy I learned how to put artists and engineers together, and that's been the real legacy.

We published a paper. Just a nice academic cultural scandal. When we wrote the paper, the guys at Imagineering said, well let's do a nice big picture. Like you would in a magazine. [Showing slide of first page of the paper, with a photo at the top that spans two columns]. And the SIGGRAPH committee, which accepted the paper, it was like this big scandal. Are they allowed to do that? [laughter] There was no rule! So we published the paper and amazingly since then there's a tradition of SIGGRAPH papers having color figures on the first page. So I've changed the world in a small way. [laughter]

And then at the end of my six months, they came to me and they said, you want to do it for real? You can stay. And I said no. One of the only times in my life I have surprised my father. He was like, you're what? He said, since you were, you know [gesturing to height of a child's head],this is all you wanted, and now that you got it, and you're... huh?

There was a bottle of Maalox in my desk drawer. Be careful what you wish for. It was a particularly stressful place. Imagineering in general is actually not so Maalox-laden, but the lab I was in -- oh, Jon left in the middle. And it was a lot like the Soviet Union. It was a little dicey for awhile. But it worked out OK. And if they had said, stay here or never walk in the building again, I would have done it. I would have walked away from tenure, I would have just done it. But they made it easy on me. They said you can have your cake and eat it too. And I basically became a day-a-week consultant for Imagineering, and I did that for about ten years.

And that's one of the reasons you should all become professors. Because you can have your cake and eat it too. I went and consulted on things like DisneyQuest. So there was the Virtual Jungle Cruise. And the best interactive experience I think ever done, and Jesse Schell gets the credit for this, Pirates of the Caribbean. Wonderful at DisneyQuest. And so those are my childhood dreams. And that's pretty good. I felt good about that.

So then the question becomes, how can I enable the childhood dreams of others. And again, boy am I glad I became a professor. What better place to enable childhood dreams? Eh, maybe working at EA, I don't know. That'd probably be a good close second. And this started in a very concrete realization that I could do this, because a young man named Tommy Burnett, when I was at the University of Virginia, came to me, was interested in joining my research group. And we talked about it, and he said, oh, and I have a childhood dream. It gets pretty easy to recognize them when they tell you.

And I said, yes, Tommy, what is your childhood dream? He said, I want to work on the next Star Wars film. Now you got to remember the timing on this. Where is Tommy, Tommy is here today. What year would this have been? Your sophomore year.

Tommy: It was around '93.

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Randy Pausch's Last Lecture Part-6

Randy Pausch: Are you breaking anything back there young man? OK, all right, so in 1993. And I said to Tommy, you know they're probably not going to make those next movies. [laughter] And he said, no, THEY ARE. And Tommy worked with me for a number of years as an undergraduate and then as a staff member, and then I moved to Carnegie Mellon, every single member of my team came from Virginia to Carnegie Mellon except for Tommy because he got a better offer. And he did indeed work on all three of those films.

And then I said, well that's nice, but you know, one at a time is kind of inefficient. And people who know me know that I'm an efficiency freak. So I said, can I do this in mass? Can I get people turned in such a way that they can be turned onto their childhood dreams? And I created a course, I came to Carnegie Mellon and I created a course called Building Virtual Worlds. It's a very simple course. How many people here have ever been to any of the shows?

[Some people from audience raise hands] OK, so some of you have an idea. For those of you who don't, the course is very simple. There are 50 students drawn from all the different departments of the university. There are randomly chosen teams, four people per team, and they change every project. A project only lasts two weeks, so you do something, you make something, you show something, then I shuffle the teams, you get three new playmates and you do it again. And it's every two weeks, and so you get five projects during the semester.

The first year we taught this course, it is impossible to describe how much of a tiger by the tail we had. I was just running the course because I wanted to see if we could do it. We had just learned how to do texture mapping on 3D graphics, and we could make stuff that looked half decent. But you know, we were running on really weak computers, by current standards. But I said I'll give it a try. And at my new university [Carnegie Mellon] I made a couple of phone calls, and I said I want to cross-list this course to get all these other people. And within 24 hours it was cross-listed in five departments. I love this university. I mean it's the most amazing place.

And the kids said, well what content do we make? I said, hell, I don't know. You make whatever you want. Two rules: no shooting violence and no pornography. Not because I'm opposed to those in particular, but you know, that's been done with VR, right? [laughter] And you'd be amazed how many 19-year-old boys are completely out of ideas when you take those off the table. [laughter and clapping]

Anyway, so I taught the course. The first assignment, I gave it to them, they came back in two weeks and they just blew me away. I mean the work was so beyond, literally, my imagination, because I had copied the process from Imagineering's VR lab, but I had no idea what they could or couldn't do with it as undergraduates, and their tools were weaker, and they came back on the first assignment, and they did something that was so spectacular that I literally didn't, ten years as a professor and I had no idea what to do next.

So I called up my mentor, and I called up Andy Van Dam. And I said, Andy, I just gave a two-week assignment, and they came back and did stuff that if I had given them a whole semester I would have given them all As. Sensei, what do I do? [laughter]

And Andy thought for a minute and he said, you go back into class tomorrow and you look them in the eye and you say, "Guys, that was pretty good, but I know you can do better." [laughter] And that was exactly the right advice. Because what he said was, you obviously don't know where the bar should be, and you're only going to do them a disservice by putting it anywhere.

And boy was that good advice because they just kept going. And during that semester it became this underground thing. I'd walk into a class with 50 students in it and there were 95 people in the room. Because it was the day we were showing work. And people's roommates and friends and parents -- I'd never had parents come to class before! It was flattering and somewhat scary.

And so it snowballed and we had this bizarre thing of, well we've got to share this. If there's anything I've been raised to do, it's to share, and I said, we've got to show this at the end of the semester. We've got to have a big show. And we booked this room, McConomy. I have a lot of good memories in this room. And we booked it not because we thought we could fill it, but because it had the only AV setup that would work, because this was a zoo. Computers and everything. And then we filled it. And we more than filled it. We had people standing in the aisle.

I will never forget the dean at the time, Jim Morris was sitting on the stage right about there. We had to kind of scoot him out of the way. And the energy in the room was like nothing I had ever experienced before. And President Cohen, Jerry Cohen was there, and he sensed the same thing. He later described it as like an Ohio State football pep rally. Except for academics. And he came over and he asked exactly the right question. He said, before you start, he said, where are these people from? He said, the audience, what departments are they from? And we polled them and it was all the departments.

And I felt very good because I had just come to campus, he had just come to campus, and my new boss had seen in a very corporal way that this is the university that puts everybody together. And that made me feel just tremendous.

So we did this campus-wide exhibition. People performed down here. They're in costume, and we projected just like this and you can see what's going on. You can see what they're seeing in the head mount. There's a lot of big props, so there's a guy white water rafting. [shows slides of a BVW show]

This is Ben in E.T. And yes, I did tell them if they didn't do the shot of the kids biking across the moon I would fail him. That is a true story. And I thought I'd show you just one world, and if we can get the lights down if that's at all possible. No, ok, that means no. All right. All right we'll just do our best then. [Shows "Hello.world" world done in the BVW class, audience applauds at the end.]

It was an unusual course. With some of the most brilliant, creative students from all across the campus. It just was a joy to be involved. And they took the whole stage performance aspect of this way too seriously [shows pictures of very strange costumes students wore]. And it became this campus phenomenon every year. People would line up for it. It was very flattering. And it gave kids a sense of excitement of putting on a show for people who were excited about it. And I think that that's one of the best things you can give somebody -- the chance to show them what it feels like to make other people get excited and happy. I mean that's a tremendous gift. We always try to involve the audience. Whether it was people with glow sticks or batting a beach ball around... or driving [shows photo of audience members leaning in their seats to steer a car]. This is really cool.

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Randy Pausch's Last Lecture Part-7

This technology actually got used at the Spiderman 3 premiere in L.A., so the audience was controlling something on the screen, so that's kind of nice. And I don't have a class picture from every year, but I dredged all the ones that I do have, and all I can say is that what a privilege and an honor it was to teach that course for something like ten years.

And all good things come to an end. And I stopped teaching that course about a year ago. People always ask me what was my favorite moment. I don't know if you could have a favorite moment. But boy there is one I'll never forget. This was a world with, I believe a roller skating ninja. And one of the rules was that we perform these things live and they all had to really work. And the moment it stopped working, we went to your backup videotape. And this was very embarrassing. [Shows image of Roller Ninja world presentation]

So we have this ninja on stage and he's doing this roller skating thing and the world, it did not crash gently. Whoosh. And I come out, and I believe it was Steve, Audia, wasn't it? Where is he? OK, where is Steve? Ah, my man. Steve Audia. And talk about quick on your feet. I say, Steve, I'm sorry but your world has crashed and we're going to go to videotape. And he pulls out his ninja sword and says, I am dishonored! Whaaa! And just drops! [applause and laughter]

And so I think it's very telling that my very favorite moment in ten years of this high technology course was a brilliant ad lib. And then when the videotape is done and the lights come up, he's lying there lifeless and his teammates drag him off! [laughter] It really was a fantastic moment.

And the course was all about bonding. People used to say, you know, what's going to make for a good world? I said, I can't tell you beforehand, but right before they present it I can tell you if the world's good just by the body language. If they're standing close to each other, the world is good.

And BVW was a pioneering course [Randy puts on vest with arrows poking out of the back], and I won't bore you with all the details, but it wasn't easy to do, and I was given this when I stepped down from the ETC and I think it's emblematic. If you're going to do anything that pioneering you will get those arrows in the back, and you just have to put up with it. I mean everything that could go wrong did go wrong. But at the end of the day, a whole lot of people had a whole lot of fun.

When you've had something for ten years that you hold so precious, it's the toughest thing in the world to hand it over. And the only advice I can give you is, find somebody better than you to hand it to. And that's what I did. There was this kid at the VR studios way back when, and you didn't have to spend very long in Jesse Schell's orbit to go, the force is strong in this one. And one of my greatest my two greatest accomplishments I think for Carnegie Mellon was that I got Jessica Hodgins and Jesse Schell to come here and join our faculty.

And I was thrilled when I could hand this over to Jesse, and to no one's surprise, he has really taken it up to the next notch. And the course is in more than good hands -- it's in better hands. But it was just one course. And then we really took it up a notch. And we created what I would call the dream fulfillment factory. Don Marinelli and I got together and with the university's blessing and encouragement, we made this thing out of whole cloth that was absolutely insane. Should never have been tried. All the sane universities didn't go near this kind of stuff. Creating a tremendous opportunistic void.

So the Entertainment Technology Center was all about artists and technologists working in small teams to make things. It was a two year professional master's degree. And Don and I were two kindred spirits. We're very different -- anybody who knows us knows that we are very different people. And we liked to do things in a new way, and the truth of the matter is that we are both a little uncomfortable in academia.

I used to say that I am uncomfortable as an academic because I come from a long line of people who actually worked for a living, so. [Nervous laughter] I detect nervous laughter! And I want to stress, Carnegie Mellon is the only place in the world that the ETC could have happened. By far the only place.

[Shows slide of Don Marinelli in tye-dyed shirt, shades and an electric guitar, sitting on a desk next to Randy, wearing nerd glasses, button-up shirt, staring at a laptop. Above their heads were the labels "Right brain/Left brain"] [laughter] OK, this picture was Don's idea, OK? And we like to refer to this picture as Don Marinelli on guitar and Randy Pausch on keyboards. [laughter] But we really did play up the left brain, right brain and it worked out really well that way.

[Shows slide of Don looking intense] Don is an intense guy. And Don and I shared an office, and at first it was a small office. We shared an office for six years. You know, those of you who know Don know he's an intense guy. And you know, given my current condition, somebody was asking me ... this is a terrible joke, but I'm going to use it anyway. Because I know Don will forgive me. Somebody said, given your current condition, have you thought about whether you're going to go to heaven or hell? And I said, I don't know, but if I'm going to hell, I'm due six years for time served! [laughter] I kid.

Sharing an office with Don was really like sharing an office with a tornado. There was just so much energy and you never knew which trailer was next, right? But you know something exciting was going to happen. And there was so much energy, and I do believe in giving credit where credit is due. So in my typically visual way, if Don and I were to split the success for the ETC, he clearly gets the lion's share of it. [Shows image of a pie chart divided 70/30 (Don/Randy) ] He did the lion's share of the work, ok, he had the lion's share of the ideas.

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